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7Jan/11Off

How TRON Makes me Feel (or… That’s a really big door!)

Anyone not seen TRON: Legacy yet? You should. I don't even know how to describe the feeling that this film gave me, but it was a good one. It made me feel all warm and fuzzy inside. It thrilled me. It scared me. There were plenty of cheesy oh-my-god moments, like “did they really do that?” and “Holy cow, I saw that coming was it that obvious?” in it. There's a scene, when Daddy Flynn shows up to take the place apart and you are like - holy crap this is awesome! From the very first opening moments, as soon as I could see The Grid again, I did what I like to think of as the perfect moment in a science fiction fantasy film. For a moment, the dude, who made his career in a similar path as Flynn oddly enough, who's got a family, house, payments, all that stuff that regular old life brings your way, for a moment (and I don't know how long it actually was, maybe the whole movie?) I was eight.

I lump a lot of things together in my life. For some reason, everything that happened when I was growing up happened when I was either eight or twelve, or the years surrounding those years, I mix them up sometimes. For me eight years old is the kind of age when you are full of wonder, and play. It's when you don't even have any troubles to put aside. It's when you can just be like God intended, free of worry or anything else.

When I walk through the gates at the Magic Kingdom, I'm eight. When I watch Star Wars (In any way shape or form, and yes even Episode I) I'm eight. When I see TRON, or any other Disney movies from around the same time, (The Black Hole?) I'm eight.

When I went to see TRON: Legacy, I was eight again. I thought it might just be a movie, a cheesy kind of a throwback to the kind of fun that I had with TRON as a kid (And who didn't want to own Flynn's Arcade right??) I liked that some of the original characters were involved, that it was a continuation (much like Indiana Jones and the Kingdom of the Crystal Skull) where the sequel comes years later, but they allow for the passage of time and allow the actors to get older rather than replace them and try to explain why their nose looks different (or worse ignoring it) and I really liked the ways they paid homage to the original film. I was thinking about all of that, about ways it might fit with the original story, and then it started, and I was eight. The film critic in me was silenced by reckless gnomes made of evil jelly pudding that captured it and stuffed it into a mayonnaise jar until I could successfully see and enjoy the movie, and have time to go to the bathroom afterwards. (Man those drinks got big at the movies!)

Now I can kind of pick it apart and see where I would have done something different, or ask why they might include this or that, and then there they are again, the gnomes arrive and beat my inner critic into submission, because as I think, and daydream about the environment in the film, and the story, regardless of how old I've gotten, or how old Jeff Bridges is now, suddenly I'm eight again, and everything is forgotten.

Thank you Disney, for Tron Legacy.

Now it's time to blow out the Tomorrowland Speedway at Magic Kingdom and put in some light cycles!

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31Dec/10Off

In the world of science fiction, science fiction does not exist?

In the world of science fiction, science fiction does not exist.

It's an interesting concept to fathom isn't it? Think about it. It's especially prevalent in the story of Doctor Who, a time traveler who is inextricably linked to London, and England as a sort-of massive hero who shows up from time to time. In London, Doctor Who is a phenomenon that exists as a television show that started in 1963, that still airs today. Although it's gone into hiatus on occasion, to be brought back better than ever each time, it's a story and a character who has saved the British countryside from attack after attack, then bops off into the future or the past, and does it all over again. Here's the thing. It's a cultural experience that has been with Britain, and the world for decades. It's a piece of pop-culture. There it's bigger than star trek, and possibly bigger than Star Wars. Everybody has a plastic sonic screwdriver, with it's little black light on the end, and yet on the show, no one knows about Doctor Who. He's a big secret. In the world of the show, the television story does not exist. Since it happens in real time, now, we can't even pretend that, like Star Trek, it's all way in the future.

So, we have to come up with a reason why no one in England knows about this story. What else does that mean, not just in the world of science fiction, but even if you keep it tied to British science fiction, you have a real problem. In the Doctor Who special Christmas Invasion, the doctor mentions the character Arthur Dent, from the Hitchhiker's Guide to the Galaxy, a series that was widely popular in Britain and in the world. He says that something is "very Arthur Dent", and calls him a nice chap. Does this, clearly a nod to Douglas Adams, and the influence that Douglas had on not only British science fiction, but Doctor Who itself as a writer and script editor in it's earlier years, turn into an acknowledgement of Arthur Dent as a good character in British science fiction that the Doctor enjoys, and he's chuckling about it, or is he acknowledging that the entire world of Douglas Adams's Hitchhiker's Guide series exists within the world of Doctor Who? Complicated sentence right? I think I've got my message across.

In a world where the Battlestar Galactica shows up on Earth in the seventies, finally having made it, and finds us unaware of the existence of ships that can travel in space that our brothers from across the stars seem to have created, what does that leave us with? I remember watching the original version of Battlestar Glactica on television, and there, when they arrive on Earth, the arrive to an Earth that hasn't just watched them on air, and to make a point that I think everyone agrees on, without the shape of Darth Vader's helmet, I don't think the Silons can exist. And at that point... in a strange sort of logic, does it mean that somewhere in the world of the original Battlestar Galactica, the world of Star Wars exists somewhere a long time ago, in a galaxy far, far away to inspire the other?

I know what you're thinking out there. Where's my suspension of disbelief?

It's wondering why Queen Elizabeth II, who I've heard takes the series DVDs of the new Doctor Who show with her on vacation, is suddenly running through Buckingham Palace, escaping with the Corgis after the Doctor calls her to warn her he's about to hit the palace with the Starship Titanic (another reference, a kiss back to Douglas Adams). In the show, though you never see her face, just her rushing feet, and a shot behind her as she waves the savior of Britain on, she's someone, a Queen Elizabeth that does not know about the television show, but instead knows the Doctor himself!

It's... A conundrum. 

I have always liked the way that the comic book series Watchmen handled their own existence in conjunction with other comic books. New York is the home of a large number of super heroes (Spider-Man included) who fight crime there. In the world that the Watchmen inhabit, comic books are all centered on pirates. It becomes a splinter, or a separate world, a parallel.

So does this mean that in a parallel universe Doctor Who actually exists? I don't know, but what I do know is that science fiction, as much as I love it, leaves this question open. Maybe there's something to be said for omitting the earth all together. Star Wars is the only one that seems to co-habit without causing a lot of trouble. Being in a galaxy far far away, there's no real continuity to break.

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22Oct/10Off

Eighty-Eight Miles an Hour!

Everybody wants to travel through time. Even if you're not into science fiction, everybody thinks about traveling though time. At the very least it would be great for going back in time in order to complete homework or other assignments and still be able to enjoy the weekend. Usually, I think it comes down to one of three things, though saving the universe does tend to apply.  I think when you're talking about time travel, you're talking about escape, regret, and curiosity, and I wonder sometimes if what it all really boils down to is regret, but that's another story. When you travel to the future or the past, strictly speaking from the earth-bound side of time travel, it seems to be about what you can prevent from happening. There are those who would cheat the system, making sure bets, or stealing the coveted wife of another, and who can stop that from happening, and there's the side of - if you go back in the past and change something, or make it better - will that change the present for that particular person. Will their father turn out to be a successful Author instead of a sniveling idiot, as happens in Back to the Future? There's also a more humorous side, of visiting important people throughout history as happens in Bill and Ted's Excellent adventure. (Excellent!) Of course if this kind of time travel is true then there should be lots of living folks out there who've had the equivalent of Bill and Ted's phone booth or the Doctor's TARDIS land in front of them.

Can you destroy your life by going back in time and killing your grandfather? Can you, in fact change time at all, I mean to say, will your character, assuming that they can travel in time at all, be prevented from making any changes that make an impact on their future? For some reason I've never liked, this kind of flat prevention or frustration routine. The characters should be able to do anything that they need to in order to make the story work. Going to the trouble of allowing them to travel in time, and then not letting them make a difference hardly seems worth the time to write. Want to be darring? Why not write a story in which the lead character actually has go back in time to kill their grandfather in order to save the world? Maybe I ought to write that one. Would your character do it? Would yours make that leap into a quantum parallel universe where he may or may not exist once the mission is complete?

Time travel is some sticky stuff. Still makes me want a DeLorean though.

Aren't we all travelers through time though? It's all moving by as we stand here in the ever-changing present. For me it's been an incredible journey, and continues to be so.

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15Oct/10Off

Who ya gonna call?

When Ghostbusters first came out, I wasn't allowed to see it. I wanted to. My friends were all going to see it, but I wasn't allowed. It's not something that bothers me. At the age I was, I probably wouldn't have cared for it as much as I do now, and having really discovered it on cable later, it was probably the best way anyway. All the sexual innuendo, yeah, it probably would have gone over my head at the time, but maybe not. I mean, how blatant can you get when you have gods from another world who call themselves the gatekeeper and the keymaster. Captain Obvious's presence is just not needed here.

Over the years though, what I've really come to love the most about the story is the side of how they come together to start a business, be it an awfully strange one, as entrepreneurs in a time when a lot of people were losing their jobs. It's a part of why I think there seems to be such a strange surge in the rumor mills of science fiction entertainment news that a Ghostbusters III is on the way. I personally refuse to believe that's coming until I see a trailer, and watch interviews with the guys, but it's an interesting thought. A lot of people are losing their jobs right now, and many of them are falling off the unemployment radar after their benefits run out. How many of them will get together and start making their own work rather than waiting for someone to hire them? Pieces of the story that fascinate me the most are about all the corners they have to cut in order to get what they need, they have unlicensed, possibly dangerous equipment they've all invented together, and the fact that they have to bluff their way into their first job catching the green Slimer. They don't even know if their own stuff works, and how could they? It's not like they've had anything to practice on.

Another thing I wonder, all these guys making ghost hunter shows on television, people who run ghost tours, and the like. Were they inspired by this movie? Is there something here, about taking that leap, and everyone in the group pushing their credit to the max to start the business something that has helped to inspire these folks to take the chance and go a little unorthodox for their means of livelihood? Very interesting.

Ever taken that leap in an unexpected direction? Were you successful, or did you fail? Did you feel good about it one way or the other?

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24Sep/10Off

Dreamscapes of my Mind

They say to write what you know. That's a hard thing for me to accept sometimes. There's always this balance between two extremes for me. I've always wanted to write science fiction, and to a certain extent, that's the only thing I've ever been really interested in. Of course I tend to lump this all into fantasy vs. science fiction, which is really a different post all together, but this is the crux of the matter in my mind. You see, I figured out recently that what I know is science fiction.

I used to think that writing what you know meant that I was supposed to write about things that I actually knew about, school, going to work, office politics, what it's like to be a father, the trials and tribulations of everyday life. The kind of thing that when incorporated into a screenplay, you could shoot it without a single special effect. All that's nice, but I don't think they make a compelling story all by themselves. I just love space too much. Space and pirates. Har!

So recently I sat down and listed out all the fantastic science fiction that I've ever loved, from the Hitchhiker's Guide to the Galaxy and the Illustrated Man to Star Wars and Harry Potter. What I know is all science fiction and fantasy. So, I may as well write that. I kept the list, and maybe I'll talk about them all, everything from the first time I deconstructed a story into it's component parts to learning to write notes in the dark for Film School (I can still do it pretty well) but again, those are all another post.

Take the movie Dreamscape for instance, a fairly low budget thriller about psychics that train to enter people's dreams in a big secret government project, when it turns out that they are being trained to become killers, keying in on the idea that if you die in your dream, you die in life. I know this not to be true from personal experience, having died many times in my dreams, but that's not the point, it's still an interesting story that keeps coming back over and over again for me. Sometimes I think I'm the only one I know who cares for the film, but that didn't stop me from using it as inspiration for a screenplay I wrote during College for a screenwriting course.

Dream delving. It's a powerful concept isn't it? The idea of entering someone else's dream, or even just taking control of your own. I've done that sometimes, when I woke up just enough to realize it's a dream, and you have a moment there of lucidity, and you're suddenly in control. Who wouldn't want to do that on a massive scale? I mean what if the dream world is the real world and this one is just an illusion we use to keep us from flipping out at just how wild, crazy and creative the world around us really is?

Drop a dream in your story and see what happens.

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